Choreographers

Since the creation of Compagnie 7273 (2003), Laurence Yadi and Nicolas Cantillon have developed a dance style that invites the body to continuously and endlessly unravel. Their research is inspired by the specific Arabic music system of Maqâm. Each maqâm describes a “tonal-spatial factor” or a set of musical notes and the relationship between them. It allows the musician to play in-between the notes and gives him the opportunity to express himself. Named Multi styles FuittFuitt by the choreographers themselves, the transfer of this technique into the body ables the movements to weave into each other in a wavy, spiraled and hypnotic dance.

Through their career, Laurence Yadi and Nicolas Cantillon created about 20 pieces: from silent ones to dansed-concerts, from duets to group pieces, all of which they toured internationally (Africa, Asia, United-states, Europe, Middle-East, North Africa and Russia). The choreographers regularly give sessions of workshops in Switzerland and abroad. They are also invited to teach the Multi styles Fuittfuitt to young dancers in professionnal training. In 2014, they published a book, diary for some or guide on the practice of the Multi styles Fuittfuitt for others, the ways to approach it are endless. Laurence Yadi and Nicolas Cantillon won several awards: the Swiss Prize for Dance and Choreography, and the Fondation Liechti for the Arts’.

Multi styles FuittFuitt

« Tarab » expresses the groove of the Middle East in Arabic. It is obtained through the execution of the Maqam, a musical system bound to the Muslim religion, known from China to the Maghreb. Each individual country or region has a unique manner to play the Maqam.

Each maqam describes “tonal-spatial factor” or set of musical notes and the relationships between them. It allows the musician to play in-between the notes and gives him the opportunity to express himself. To find an original way of playing the Maqam requests both rigor and imagination. The transfer of this technique to the body is at the origin of Laurence Yadi and Nicolas Cantillon’s choreographic research since 2003. It is what they call the Multi styles FuittFuitt.

Dancers

Melissa Ugolini

Melissa is graduated from the Northern School of Contemporary Dance in 2011. In 2012 she collaborated with Akram Khan Company for the Opening Ceremony of the London Olympics. In 2013, she moved to Istanbul where she was hired by the modern national contemporary dance company Dans Toplu?u Istanbul. During this period, she notably performed the works of Andonis Foniadakis, Annabelle Lopez Ochoa, Barak Marshall, Itzik Galili, Ihsan Rüstem, Bruno Caverna and Beyhan Murphy. 2017 is the beginning of his own choreographic work with dancer Evrim Akyay. Two creations are presented as part of the Moving Visegrad Festival in 2017. Melissa is invited as a teacher in Italy, England and Turkey. At the same time she works with Aakash Odedra Company. She took part in Tarab’s in 2017, NUIT will be her first creation with the 7273 Company.

Margaux Monetti

Margaux graduated from the Perpignan Conservatoire (contemporary dance). She completed her training at Ballet Junior of Geneva. In 2011, she was an intern for Gilles Jobin and La Ribot and collaborated for several geneva based artists, such as Mai-Thu Perret, Caroline De Cornière and Perrine Valli. She joined Compagnie 7273 in 2012 for the resumption of Nile. She then participated in the creation of Tarab. In parallel, she begun to lead Family Dance workshops and she worked as coordinator for the project. Recently she has been working with the choreographer Fabienne Berger and the artist Yan Duyvendak. In 2016, she participates in Marisa Godoy new piece. She is also involved in the creation of Shooting Stars.

Aline Lopes

Aline trained at CDA in Algarve and the National Academy of Dance in Lisbon. She graduated from the Ballet Junior of Geneva. She joined the Compagnie 7273 in 2013 for the creation of Tarab. In 2014, she participated in the creation of Beirut 1995. She is also part of the project “A escalada de HuRmano” by Marco Ferreira da Silva and joined the company Instável in Porto for the creation of “Free” by Gregory Maqoma. In 2015, she works with Maud Blandel (Compagnie Ilka) for the creation of “Touch Down”. The following year, she is involved in the creation of Shooting Stars.

Victoria Hoyland

Victoria graduated from N.S.C.D in 2008 and in 2012 received her Masters through LCDS. During this time she collaborated and worked for choreographers Hofesh Shechter, BalletLORENT, Barebones, Robert Clark and Riccardo Buscarini among others. Currently Victoria is studying Osteopathy in London whilst working in Switzerland with Alias Compagnie and Compagnie 7273. In 2013, she participated in the creation of Tarab.

Soraya Leila Emery

Soraya began her training in contemporary dance at CFP Arts Appliqués in Geneva, Switzerland where she participated as an apprentice in the creation of Tarab in 2013 and graduated in 2014. Then, she, joined the second year of SEAD Salzburg’s Experimental Academy of Dance where she danced the productions of Eduardo Torroja / Ultima Vez, Anton Lachky, Sita Ostheimer, Sade and Kristina Alleyne, Theo Clinkard, Jozef Frucek and Linda Kapetanea, among others. After being graduating in July 2017, she got a certified Hata Yoga teacher. Soraya Leila works for Archipelago in Vienna, Humanhood in Birmingham and Compagnie 7273 in Geneva, with Laurence and Nicolas.

Karima El Amrani

Karima started dancing aged 10 at La Manufacture Vendetta Mathea. She then graduated from the Paris Conservatoire. In 2011, she moved to London to work for Hofesh Shechter and joined the company Clod Ensemble. She is currently working for Christoph Winkler in Berlin, Company Icosaèdre in Reims, Clod Ensemble in London and Compagnie 7273 (Tarab and Shooting Stars). She is also a certified ashtanga yoga teacher.

Ryan Djojokarso

After graduating from Codarts/Rotterdam Dance Academy, Ryan  was in demand as a dancer and worked with different choreographers including Itzik Galili, Liat Waysbort, Erik Kaiel, Keren Levi, Ugo Dehaes, Itamar Serussi and Tabea Martin. Since 2013, he developed himself as a choreographer at Korzo, Scapino Ballet Rotterdam, Konzert Theater Bern and Conny Janssen Danst. He has won several awards including the Nieuwe Makersregeling from the Fonds Podiumkunsten, in 2018. Ryan still performs, as a dancer, pieces by Compagnie 7273. He started in 2013 with the piece Tarab and soon will be joining the newest creation.

Ana Isabel Castro

Ana Isabel is graduated from Lisbon High School of Dance in 2015. In 2014, she studied a year at MUK-music and private university art in Vienna where she had the opportunity to work with choreographers like Esther Balfe, Saju Hari and Georg Blaschke. In 2017, she joined FAICC-advanced training in performance and choreographic creation at the Companhia Instável in Porto and she also presented her first creation “Marengo” at the municipal theater of Campo Alegre. Isabel meets Laurence and Nicolas when she was intern during a creation that they are invited to produce for Companhia Instável in Porto in 2017. NUIT is her first creation with Laurence Yadi and Nicolas Cantillon.

Rosanne Briens

Rosanne trained in contemporary classical dance and jazz at the Conservatoire de Rouen from 2009. From 2012 to 2015, she completed her training at the Geneva Junior Ballet. In 2015, she co-founded Junebug Company, she choreographed in collaboration and presented her work in Switzerland and abroad (Two Blue, 2015 / Wicca, 2017 …). Rosanne participates in the recreation of Cheer Leader of Karim Bel Kacem and Maud Blandel at l’Arsenic in lausanne, Switzerland. She danced for The Story of Benjamin Knobil’s Soldier at Château de Chillon in France. She joined the Compagnie 7273 for a takeover of Tarab in December 2017. NUIT is be her first creation with the company 7273.

Luc Bénard

Luc, gold medalist at the CNR of the island of La Reunion, completed his training at Lyons Conservatory where he graduated from DNESC in 2004. From 2004 to 2010, he was a dancer with the Ballet du Grand Théâtre de Genève and collaborated with renowned choreographers. After a year of intensive kungfu training in Beijing,  he joined Compagnie 7273 in October 2011 for the resumption of Nile. In July 2012, he also incorporated Kelemenis & cie. In 2013, he participated in the creation of Tarab.